Much of the imagery in my fiber work has been inspired by the history of Wisconsin’s north woods and my studio surroundings there, as well as by avian research. Currently, a theme echoing throughout my beaded textile work is the striking beauty of birds from around the world that have been threatened by habitat loss,
over-harvesting and retail consumption.

Present work is based on my photography of pelts and feathers along with personal observation of bird specimens. This hands-on knowledge from researching and collecting specimens plays a key role in my design. Therefore, choice, not chance determines the outcome of my work, along with a deep sense of respect for the materials I use.

On fabric, I abstract my photographic images by the application of beads, colored pencil, acrylic paint and hand-embroidered thread. The resulting composition is a melding of hand skills, a trained eye and familiar materials expressing my interest and concerns for our avian resources. By viewing my textiles, I hope to invoke a positive response to conservation of fauna and the sensual pleasure of exquisite colors, textures and patterns found on the bird plumage.